Category: art

GMOA Museum Mix features Pylon, Athens cultural scene exhibits

0 comments

Museum_Mix_DJ_Michael_Lachowski_in_1983.jpg

A late-night art party at the Georgia Museum of Art this Thursday night from 8- midnight will harken back to the 1970s and 1980s music and art scene here in Athens and is surely not to be missed.  Known as Museum Mix, this free event will feature snacks and refreshments, access to all of the museum’s galleries until midnight and a DJ set by Michael Lachowski, co-founder of and bass player for the seminal athens band Pylon.

The summer Museum Mix is inspired by the exhibition "Shapes That Talk to Me: The Athens Scene, 1975-85." The DJ will be Michael Lachowski, co-founder of and bass player for the seminal Athens band Pylon. Lachowski will play records that Pylon members and others listened to during the early years of the Athens music scene, including music by Pere Ubu, The Ramones, Public Image Ltd, Talking Heads, Cabaret Voltaire, Elvis Costello, Suicide, Kraftwerk and many more.

Lachowski, who also handles public relations for the museum and helped organize "Shapes That Talk to Me," said, "The social scene that the early Athens music scene came out of was based around art students, art faculty and visual art itself-but our parties were also fueled by new music from outside Athens. Because access to new music was always a challenge, the communal sharing of new acquisitions in social contexts was taken seriously. While we were dancing and cavorting, we were absorbing an education in music-the influences that shaped Pylon and other bands-and that's the music I want to revisit at this hot summer Museum Mix."

The “Shapes That Talk to Me” exhibit and the Museum Mix event are being held in conjunction with Art Rocks Athens, a festival exploring the works of art and music that established Athens as a cultural center.  Art Rocks Athens and the accompanying exhibits and events is continuing the tradition of UGA and the Athens cultural scene influencing each other. Through December, venues across Athens are taking part in the collaborative celebration with exhibitions, films, lectures and more.  View more about Art Rocks Athens here.

Microscopic photos spotlight the art of science

0 comments

thale cressWhile they are often identified as poles, a spectrum or even a line of demarcation from one kind of investigation into another, science and art can and occasionally do cohabitate, as in the case of UGA research scientist Stefan Eberhard, who utilizes scientific instrumentation for creative purposes:

Art Maymester in NYC

0 comments

NYCCOMBO.jpgMore on this soon, but 30 students (graduate and undergraduate) in the Lamar Dodd School of Art enjoyed a great experience on a new Maymester program in the spring - a field study in New York City. Students had the opportunity to visit all the big museums plus a number of galleries throughout the city, interact with many UGA alumni as well as incoming LDSOA director Chris Garvin. Now that's a fun way to learn.

Image collage courtesy of Marni Shindelman.

Creative Curricula

0 comments

Costumes_du_ballet_Parade.jpgThe future of higher education is always a hot topic - though it can be difficult to predict from this side of the arch, front-loaded as we are with the present, if not the past. That being said, there are important elements of what we do and teach that, if arranged differently, could re-inforce traditional disiciplines and provide next-generation skills in the context in which they will be needed.

For example, this Baltimore Magazine article highlights a ground-breaking new partnership between the Maryland Institute College of Art and John Hopkins University Carey Business School. Right in the middle of it, of course, is a former UGA undergrad:

“I was looking for a mix of MBA and design,” says first-year Design Leadership student Julie Buisson, a native of France who has lived in the U.S. for the past 10 years. Buisson moved from Athens, GA, to Baltimore for the Design Leadership program after discovering it through a Google search. Dressed in a bulky, mustard-yellow sweater and holding a mug of coffee and a well-loved Moleskin journal, Buisson fits the picture of an art student, though she earned her undergraduate degree—in marketing, with an emphasis in sales—at the University of Georgia’s Terry College of Business.

“At Georgia, all of my friends were art students,” she says. “They showed me a different way of working. I took some art classes, and I realized that creativity is something you work on just like anything else.”

With the Design Leadership program, she’s filling a gap in her education. It’s the same for her classmates, who come from varied backgrounds, including architecture, nonprofits, photography, and even the oil industry. “There is something more that’s driving us,” says Buisson. “We all believe we should be trained as creatives—it’s just as important as being trained in analytics.”

Read the whole thing. The 'business model to bridge different worlds,' as construed in the article, cuts in many different directions, far beyond just business. When one of the architects of the new program says

“The business person who’s got that more humanistic platform is going to be less brittle than someone who’s just trained in business.” 

it is not to take anything away from business - rather it is to add to it. We must be sufficiently secure in our disciplines to consider expanding them, joining them, disrupting them, in the common parlance. To enhance our graduates' skills and abilities is the key. The academic capacity is here - a large liberal arts learning environment has everything. Let's encourage people - faculty, students, staff - to discover new ways to integrate our strengths and leverage our collaborative capacity.

Image: Costumes for the Ballet russes Parade, 1917. Répertoire de la compagnie des Ballets russes directed by Serge Diaghilev; Argument : Jean Cocteau, Musique : Eric Satie. Décors et costumes : Pablo Picasso. Chorégraphie originale : Léonide Massine. via Wikimedia Commons.

Art Rox at LDSOA

0 comments

TwoWomenThreeQuilts.jpgBeginning May 23, 2014,  the Lamar Dodd School of Art will host a retrospective exhibition of art from the period 1975-85, presented by the Art Rocks Athens Foundation:

Athens, Georgia is well known for its vibrant music scene. What is less known, however, is that artists from the era of 1975-85 gave rise to the music, and then their music went on to influence the art. Art Rocks Athens Foundation, a non-profit organization, was formed to explore and document that time period, and to present a retrospective of the work of artists who were living and making art in the vortex of creativity that centered on Athens. Through the conservation of both artworks and music-related artifacts, Art Rocks Athens Foundation seeks to make a verifiable record of this history and its lasting importance to the town so many people love.

To bring in the wider world, he invited nationally known artists like Elaine de Kooning, and Phillip Guston who became artists in residence. They brought not just knowledge, but also a willingness to share their experiences, that only became more precious over time. When the Art Department began teeming with students, Lamar Dodd persuaded downtown business people to rent the empty spaces above their shops for use as artists’ studios. Thus, town united with gown, and from this atmosphere where innovation and collaboration were the order of the day, the Athens artists gave form and substance to the Athens music scene.

Many campus entities - the Special Collections Librairies, Willson Center, many Franklin College departments and individual faculty members - have been doing yoeman work to re-assemble many of the principles and tell the stories of the Athens music scene. As this picture takes shape, we re-affirm what's been obvious all along - that the art scene and the music scene continue to be mutially informing, supporting and essential to each other and the wonderful musical and visual art that gives this little town its flavor. This exhibition at Lamar Dodd should be great. Support the Art Rocks Athens. And don't forget to enjoy the show.

Image: "Two Women Three Quilts," 1975, 66" X 88", Oil on canvas, Neill Slaughter.

Athens Music Project Symposium April 17

0 comments

Pylon-40Watt-1979Besides providing a gratuitous opportunity to post this phot of Pylon from 1979 (wow), the Athens Music Project, a Willson Center Research Cluster featuring Franklin faculty, is presenting the community with signifciant cultural dividends:

The Athens Music Project will hold its first symposium April 17 from 4-8 p.m. in the auditorium of the Richard B. Russell Building Special Collections Libraries at the University of Georgia.

The AMP is a Faculty Research Cluster of the UGA Jane and Harry Willson Center for Humanities and Arts and is co-directed by Susan Thomas, an associate professor of music and women's studies, and Jean Ngoya Kidula, associate professor of music and African studies. The event is co-sponsored by the Willson Center and the Hugh Hodgson School of Music.

The AMP provides a platform for research, creative development and shared expertise in, about and for Athens' diverse musical communities. 

...

Michael Lachowski, a member of the Athens band Pylon and currently the public relations coordinator at the Georgia Museum of Art, will give a keynote talk on "How Art Turned Into Music: The ‘Athens Music Scene.'" The talk will be followed by a roundtable on "Hearing the Past and Seeing the Future: The 40 Watt" that will feature Lachowski, 40 Watt Club owner Barrie Buck and Velena Vego, the club's talent buyer. Christopher Lawton, director of the Georgia Virtual History Project, will moderate the discussion.

To find out more about other parts on the program, see here. But I highlight the keynote as a point of emphasis: the Athens music scene enjoys a kind of mystique that flows from and into its world renown. But the mystique is difficult to quanitfy so hasn't been to any great extent. So good for Kidula and Thomas for presenting a platform to delve into these mysteries further - may the best parts remain shrouded, but let us enjoy the discussion and perhaps further celebrate this catalyst for the rich pageant that surrounds us.

Image: Pylon plays at the original non-commercial location of the 40 Watt Club (Myers Building, third floor, 171 College Ave.) in 1979.

LDSOA professor Hwangbo in Huffington Post

0 comments

Hwangbo_Huff PostImi Hwangbo, a professor in the Lamar Dodd School of Art, currently has a show on view at the Pavel Zoubok Gallery on West 26th Street in New York City.  Ridley Howard, a painter in New York, is an alumnus of the Lamar Dodd School of Art, interviewed Hwango for the Arts Page of the Huffington Post.  "Portals:  Interview with Imi Hwangbo" by Ridley Howard is a fascinating discussion of her three-dimensional drawings in cut paper.

RH: Some works in this New York show are based on traditional Korean wrapping cloths. Can you talk about how you became interested in that as a subject?

IH: I've always been attracted to the aesthetics of traditional Korean decorative art. Pojagi are functional, four-cornered cloths that are tied in bundles to carry domestic objects. As artworks, they are embroidered drawings on fabric. They are often decorated with patterns and imagery that convey Korean folk beliefs, with plants and animals that offer protection from harm, and express desires for wealth, longevity and fertility.

I wanted to work from these patterns, and stay faithful to the notion of a decorative object that is alluring to the eye and highly crafted over its entire surface. I also like the notion of decoration as a visualization of desire -- as a gesture that covers a surface, repetitively and obsessively, with an iconography of desire.

RH: From what little research I've done, certain eras of Pojagi almost look like op-art and early modernist painting. Do you see your work as a means of subversion? Or is it more reverential?

IH: Pojagi patterns can have specific meanings within that particular cultural tradition. But at the same time, they can embody strategies that are recognizable in modernist painting. I like the notion of women artists in traditional Korea, inventing a modernist aesthetic with scraps of fabric. Their names are lost to history, so their identities can only be guessed through their inventiveness and craft. I'm drawn to the contradiction of that anonymity and the intimacy of the handwork. So perhaps you could consider it an homage.

Read the full interview. Great job, Howard and Hwangbo.

Image: Diviner (detail), 66" x 28" x 3", archival ink on hand-cut mylar, 2010

Cortona Student and Faculty Reunion

0 comments

main area of CortonaThe Lamar Dodd School of Art will host to a reunion of the UGA-Cortonese as students and faculty gather to celebrate the 44th anniversary of UGA's premier Studies Abroad Program.

The program has grown and changed a great deal over the course of its four-decade existence, though so much about the immersive small town experience remains the same. The medieval hilltown of 1,200 tucked in the foothills of the Apennine Mountains, so close to the art centers of Italy but far enough away to preserve the quiet and solitude of Tuscany, continues to attract our best artists. And the experience has lifelong impact, creating friends of UGA as far afield as can be imagined. Among the reunion of students and faculty, along with several of our past directors of the program (including program founder Jack Kehoe) there will also be a closing reception for the LDSOA exhibition, La Mostra Cortona 2013, featuring works by Shawn Ireland. The reception and reunion are both at 3 p.m. in the school of art.

Join us at LDSOA on Saturday to celebrate Cortona!

Image: The lovely city on the hill.

GMOA exhibitions

0 comments

CROPPEDballet_mec.jpgEven during the upcoming holiday break on campus, the Georgia Museum of Art remains open and a great place to take the kids or visiting family - or even just to catch up on great exhibitions that you've missed in recent months.

Three special exhibitions will stretch just into the New Year, each ending January 5, and would be a worthwhile treat over the holidays:

The Crossroads of Memory: Carroll Cloar and the American South

Exuberance of Meaning: The Art Patronage of Catherine the Great (1762–1796)

L’objet en mouvement: Early Abstract Film

In addition, the Museum will have its Third Thursday on December 19, an event devoted to art in the evening hours, on the third Thursday of every month featuring artwork at the Georgia Museum of Art, the Lamar Dodd School of Art, Lyndon House Arts Center, Glass Cube & Gallery@Hotel Indigo-Athens, Ciné and ATHICA.

On top of that, if you aren't familiar with the museum's extraordinarily fine permanent collection, you owe yourself an hour or two spent discovering the fine works that reside right in our community. Amidst the treasures, you will even find work by Franklin College faculty present and past, including by Lamar Dodd himself.

See you at the museum.

Image: from Le Ballet mécanique of the Early Abstract Film exhibition, courtesy of the Georgia Museum of Art.

Phi Beata Heata Jewelry Sale

0 comments

Now this is our version of micro-small business Tuesday - businesses before they are businesses, buying from artists while they are still students. It's the student-made jewelry sale in the Lamar Dodd School of Art, 10 am to 3 pm, today only.

.Jewelry_Poster_0.jpg

Presents!

UPDATE: I was just over there and... it's a ceramics sale, too. Through tomorrow. Presents!