The current edition of the NEH's Humanities Magazine features great friend of the blog and creative writing professor emeritus Coleman Barks: Poetry in the Muslim world takes on many forms and touches upon myriad sentiments and sensibilities. Its roots lie in the epic and in romances, oral traditions that flourished in Persia and in the Ottoman and Mughal courts. Today, in Pakistan and India, truck drivers paint their entire rigs—cabs and trailers—with lines from favorite poems; in Turkey, dervishes whirl to the inspiration of Sufi poet Rumi; in Yemen tribesmen conduct negotiations in verse, and the Arabic calligraphy that sets lines on the page in many other Muslim countries is an art unto itself. ... A poet known as Hafez wrote more than four hundred of them. In his hands, the form was “intense, passionate, ecstatic, often bearing multiple meanings,” according to the NEH-funded website Poetic Voices of the Muslim World. Hafez, the site hastens to add, “despised religious hypocrisy.” In spite of the ghazal’s popularity among contemporary American poets, readers favor the work of